As we enter the 2020s, one of the most interesting and productive rap scenes to keep an eye on is the Earl Sweatshirt school of artists like MIKE, Medhane, Maxo, Liv.e, Pink Siifu, Akai Solo, Adé Hakim, and others who form a loose collective of bright new ideas in music, and have released a plethora of outstanding projects and collaborations (each word links to a Spotify stream of a great release).
Now, when I say “Earl Sweatshirt school”, I must clarify that Earl isn’t really a ringleader for these young artists. But, in addition to frequently collaborating and touring with them, his footprint on their music is indelible. The weed-drenched, emotionally direct and proudly black music that Earl has been making since his teenage years is reflected in this newer scene.
So where does Denmark Vessey fit in? The Detroit rapper and producer is older than all of these artists and isn’t strongly aligned with any of them, except maybe Earl, with whom he has collaborated several times. But I think his music forms something of a missing link in considering what has influenced this new scene.
Enter Martin Lucid Dream. This album is like a blast of fresh air – equal parts hard-hitting and tounge-in-cheek. Guilty Simpson comes repping Detroit out the gate with a brash “Warning”, then on the title track we hear Denmark rap for the first time. Over a kaleidoscopic beat, Denmark strings along stream-of-consciousness bars before Little Brother affiliate Von Pea steps in with “I wrote an article for Lifehacker / It simply said ‘Don’t Be a Rapper'”.
Vessey clearly isn’t afraid to switch things up. “Nerd N***as” closes with a long speech from the 1972 blaxploitation film The Final Comedown, and “Chemtrails” features no rapping at all, only singing. The variety in sound and concise runtime seems like a potential blueprint for a project such as Medhane’s FULL CIRCLE.
The greatest song on Martin Lucid Dream comes last with “Everyday”. Over a fantastic flip of Leon Ware’s “Rockin’ You Eternally”, Denmark and fellow Detroit rappers shine effortlessly. And before you know it, Martin Lucid Dream is over. Reissued in 2017 with the bonus tracks “Katt Williams” and “Snowing in L.A.” (prod. by Earl), the album (or EP) still barely scratches a half-hour. Brimming with fresh ideas nearly 5 years later, this is one of the tightest and most underrated underground rap projects of the 2010s.