Weekly Mix: 2/28/21

Welcome to the end of February, where this week we learned such lessons as – maybe listening to 3 Lisa Germano albums in a row is not such a good idea. No matter, it’s a new day and there are new songs to hear.

This week we get it rolling with Devin the Dude’s classic To tha X-Treme, then switch it over to Sonique’s hit It Feels So Good. Lizzy Mercier Descloux’s Slipped Disc was a hit at any party (remember those?) and still bangs. Whatever you think about Buffalo’s Griselda crew, it’s hard to deny the amazing beat on Nicholas Craven’s remix of Conway and Elzhi’s 212. Here’s a lost 80s hit from Babyface: boy band (naturally) The Boys with Dial My Heart (I gotta say this is better than Britney’s “Email My Heart”). I love Laura Nyro and I especially love the lyrics on and everything about Buy and Sell. KeiyaA is a talented young artist to watch out for, and my favorite song of hers, Hvnli, is next. Then a good old torch song in Etta Jones’ (not James) If I Had You. Johnny “Hammond” Smith’s Can’t We Smile? is a sweet ballad for this Sunday afternoon and the Lijadu Sisters’ Osupa I is a gentle jam from the Nigerian duo.

Hey, I think we’re at 290. Seems like another track has been taken off streaming, so it’s currently 289. But still, tune in next week for a cool milestone! And check out the playlist here.

Album of the Week: Erika de Casier’s Essentials (2019)

Copenhagen’s Erika de Casier just announced her next song “Drama” with an eye-popping Instagram post, so to celebrate I decided to revisit her debut album Essentials, which blew my mind upon first listen nearly two years ago and sounds amazing today, too. Now signed to one of my favorite labels, 4AD, I can’t wait to here what she has in store for her follow-up. Below is a slightly edited version of my Essentials review, which I wrote in 2019:

I love Aaliyah, Destiny’s Child, Craig David, Usher, Janet Jackson, Toni Braxton, and so on.

Erika de Casier wears her influences on her sleeve, as Essentials makes quite clear. But this isn’t some trendy gimmick. As the above quote (from an interview with i-D) demonstrates, the 90’s nostalgia comes from the heart. And with the help of mysterious Danish production team El Trick (aka Central) and DJ Sports*, de Casier’s debut is as much an enjoyable blast of nostalgia as it is a refreshingly new pop album.

The hits come early and just keep on hitting. After the lush pull of “The Flow”, the g-funk bounce of “Do My Thing” delivers her M.O. in its earworm chorus (bonus points for the brilliant no-budget video). It’s hard to pick stand-outs from the rest of the bunch because the sound is so fully-formed and consistent, but its worth mentioning the three-song arc of “What U Wanna Do?”, “Rainy”, and “Space”, tracks which in their moodiness work as effective contrasts to the sunshine of the album’s first half.

Erika de Casier’s vocal presence is warm and light, allowing her to float perfectly in the mix of the airy production. Lyrically, this is pretty standard pop fare that could have been written for most any Destiny’s Child song 20 years ago, but there is a repeated theme of de Casier urging her lover/listener to put their phone down and enjoy life (“Good Time”, “Intimate”), which I can totally get behind. Multiple listens reveal a handful of funny quirks and adlibs which are hard not to love. There are no features and other than “Photo of You”, which I think samples “Summer Madness”, there are no discernible samples.

I did a double-take on first listen here and it’s fair that you might too. But as she says on “Story of My Life”, Not tryna hide nothin’ / yeah I’m just comin’ real wit it. A superb debut that holds up well.

Listen to Essentials on Spotify.

*For more on these two, check out this p4k sampler and their distribution website.

Weekly Mix: 2/21/21

It’s Sunday, and you know what that means: time to Chill. Today is the day to hang and kick it and so forth. Oh, and I have more songs for you.

Speaking of chill, we’ll start with Samantha James’s Amber Sky and move on to Sweet Trip’s Milk, which is probably the most mindblowing thing I’ve heard in the past two weeks. Then a killer Alchemist production in Step Brothers’ Tomorrow. All Donuts fans (I know you’re out there) will recognize Dionne Warwick’s You’re Gonna Need Me. Some classic Little Brother recently came to streaming, including their genius Mos Def collab Let It Go. Next, the very smooth I Try from Angela Bofill. After that, Project Pablo asks Why, Though? and then things get very twee very quickly with Saturday Looks Good To Me’s Meet Me By the Water. The late Allen Toussaint’s Southern Nights is the penultimate track today, with Aphrodite’s Child’s ballad It’s Five O’Clock to finish this week’s playlist additions off. Take care all.

And listen here.

Album of the Week: Lil B’s Gold House (2011)

“Gold house n****, only n**** with a house” – “Tiny Pants Bitch”

Lil B went on his most prolific run from 2010-2013 (2013 being the first year since 2009 that he released less than 5 mixtapes), and a decade later I’m inclined to agree with Tinymixtapes that 2012’s White Flame best exemplifies what is most incredible about this output. Admittedly, I’ve probably heard less than half of his 60+ full-length (or longer) projects, but recently I’ve enjoyed immersing myself in the mystifying ocean that is the Lil B discography. It helps that it’s all streaming. Whomst amongst us remembers downloading Basedgod tapes from Datpiff, often loaded with dozens of songs, only to find our laptops running low on space? Thankfully, the massive Lil B catalog came to streaming platforms in 2019, and now sampling any tape is as easy as a click.

Gold House (alternatively Goldhouse) was released on Christmas 2011, about a month before the aforementioned White Flame. What I love about this era of Lil B is the energy and off-the-wall performance, and I think a lot of this has to do with the production here. After White Flame came God’s Father, which has its own fanbase (it’s currently Lil B’s highest-rated project on RateYourMusic at an average of 3.77/5 from over 2500 ratings). However, God’s Father contains spacier, cloudier production. Over atmospheric production, Lil B is often more likely to loosen his flow and rap in a lethargic drawl, and this is where I feel he falters most as an artist.

This cloud-rap production is hard to find on White Flame and Gold House. Rather than the atmospherics beats of Clams Casino and the like, we get a style much more indebted to New Orleans: No Limit and Cash Money Records’ glitzy, turn-of-the-millenium bangers. Indeed, White Flame‘s album cover pays homage to Soulja Slim’s Give It 2 ‘Em Raw, he directly shouts out Cash Money here on “Im Like Killah Remix” and the ridiculous “Awsome” beat is simply a slowed “Go DJ”. An energized Lil B is rapping within one second of the opener “Green Card” (“Imma call you Homer, you got no dough”). The rapid-fire “I Love Strugglin” provides just one of many abstract kernels of Lil B’s unparalleled perspective: “Bitch Mob bitch, suck a dick / Gold House bitch, we love strugglin'”.

Lest you think Lil B solely exists in a fantasy realm, peep “Gangstas Smile” which begins, “My girl had an abortion, changed the game / I’m not ready to be a dad”. Damn. And all this over a gorgeous soul sample. Gold House concludes with “Based Gangstas Prayer”, a solemn conclusion to an otherwise rambunctious mixtape.

“Keep that love in your heart.” – Lil B

Listen to Gold House on Spotify.

Weekly Mix: 2/7/21

Hip-hop. Rap. Same thing. My favorite genre. This week it’s all rap rap rappity-rap mickey mouse cheese hip-hop walt disney.

We begin with the A.B.N. (Assholes by Nature) Z-Ro and Trae, who need No Help. Following that is a similar statement of independence from another great duo, 8Ball & MJG with Nobody But Me. Young Thug celebrates fatherhood on Daddy’s Birthday before we take it back to ’94 with Ill Al Skratch’s Where My Homiez? (sick beat on this one). Then Souls of Mischief producer Long Beach’s Domino gets funky on Sweet Potatoe Pie. Staying in California we revisit L.A.’s Bloods & Crips (composed of real gang members) with Steady Dippin’. Coolin’ is Chief Keef in the sublime Valley, then Cam’ron provides a proletariat anthem in (I Hate) My Job. Next is an underrated track from Migos’ Quavo, South Africa. We round things out this week with Cities Aviv’s cathartic Worlds of Pressure.

Ch-check it out here.

Album of the Week: Nancy Priddy’s You’ve Come This Way Before (1968)

“Feelin’ strange sensations / Familiar old vibrations” – so begins the trippy odyssey of renaissance woman Nancy Priddy’s You’ve Come This Way Before, released on the relatively unknown Dot Records label. Priddy was involved in the Greenwich Village folk scene of the 60s and sang back-up vocals on Leonard Cohen’s classic debut (you can hear her on the timeless songs “Suzanne” and “So Long, Marianne”). She also dated Stephen Stills, and eventually turned to acting, often starring alongside her daughter Christina Applegate. You’ve Come This Way Before, then, works as something of a successful one-time experiment for the talented Priddy.

At its best, Priddy’s music achieves a blend of Margo Guryan’s comfy psych-pop and Nico’s more doom-and-gloom baroque songs. “Ebony Glass” employs some eerie harpsichord and strings as well as a child singing “This is the way the world ends”. The rhythm section is tight (courtesy of jazz veteran Bernard Purdie), and the vibe is pure lava-lamp psychedelia. The album peaks early with the frankly incredible “Mystic Lady”, which is everything great about the album and the genres it includes in one track. A shifting opus not unlike “A Day in the Life”, it is in one section an orchestral ballad, another a festive merry-go-round, and finally a jaunty soul show-stopper in the vein of Laura Nyro.

Part of the album’s classic sound is attributable to co-producer and arranger John Simon, who worked with Leonard Cohen, The Band, Janis Joplin and Margo Guryan among others. “We Could Have It All” could be a Mamas & The Papas song. “Christina’s World” is apparently inspired by the painting of the same name, though it works doubly as a tribute to Applegate, who was curiously not yet born when the song was made.

My biggest complaint with this album is that it’s too short. There are 10 mostly brief songs and it barely clocks in at half an hour, with the longest track displaying the most brilliance. It ends on a curious note with the weird “Epitaph”, which leaves me wanting more. I will be seeking out more of Priddy’s music, but she didn’t release another album for decades, and I’m currently listening to 2007’s “Y2k Drinking Song”, which sounds like Jimmy Buffett (read: terrible). However, You’ve Come This Way Before is nothing less than a true hidden gem.

Listen to You’ve Come This Way Before on Spotify.

Album of the Week: Roy Montgomery & Grouper’s Split EP (AKA Vessel) (2009)

In 2009, veteran New Zealand psych-guitarist Roy Montgomery (of Dadamah and Hash Jar Tempo, among other things) and Liz Harris’ Grouper released this magnificent split 12″ on Harris’ Yellow Electric label as well as ambient artist Jefre Cantu-Ledesma’s now defunct Root Strata label.

Montgomery’s side is dedicated to Sandy Bull. Bull was a groundbreaking folk-guitarist who became a staple performer in the Greenwich Village scene of the early 60s and pushed boundaries on his albums, mixing international instruments, sounds and genres. His “Blend” is presumably the inspiration for Montgomery’s “Fantasia on a Theme by Sandy Bull (Slight Return)”. Like “Blend”, “Fantasia” is a roughly 20-minute piece of marvelous acoustic guitar work, with multiple changes in tempo and melody. A significant difference is that on “Blend”, Bull was accompanied by jazz drummer Billy Higgins (of Ornette Coleman’s band, among others), where Montgomery’s “Fantasia” has no drums. This is made up for by the reverb on Montgomery’s guitar, which gives the effect of the artist accompanying himself. It’s a brilliant psychedelic piece to get lost in.

Grouper’s side comes from one of the strongest periods of her consistent career: between the releases of Dragging a Dead Deer Up a Hill and AIA, arguably her two best full-lengths. If you’re a fan of Grouper you know what to expect: music that is hazy, delicate and touching. There are four songs, the standout being “Vessel”, which recalls (to me) the melody of “The Star-Spangled Banner”. “Pulse”, the instrumental closer, features some prominent dog-barking (presumably from the one pictured here).

Harris and Cantu-Ledesma would later collaborate as Raum on 2013’s Event of Your Leaving, and Harris featured on Roy Montgomery’s 2018 album Suffuse.

This split is not on Spotify. Check out Grouper’s side on Youtube, below.

Weekly Mix: 1/24/21

Hey there, we’re back after a break and a holiday weekend. This week brings some welcome additions to the playlist from two of the greatest living American artists, Chief Keef and Bob Dylan, among others.

We begin a capella with Ellen McIlwaine’s Farther Along followed by the late Bill Withers’ Can We Pretend. Then, Отношения (“Relationship” ?) from the Ukranian artist Luna. Then throwing it back with Bay Area classic Playaz Club from Rappin’ 4 Tay and Les McCann’s Sometimes I Cry. Women’s Black Rice is next, then Roger Eno & Kate St. John’s tender ballad The Blue Sea. Similarly dark is Migos’ early tribute to lost ones, R.I.P.. A brilliant Chief Keef track Green Light and Bob Dylan’s take on My One and Only Love close this week’s selections.

Check ’em out here.

Album of the Week: Volodos Plays Mompou (2013)

The Catalan composer Frederic Mompou died in 1987 at the age of 94. That same year, the 15 year old Russian student Arcadi Volodos, who had previously taken vocal training and shown an intrust in conducting, began seriously studying piano. 25 years later, after international awards and performances, Volodos released these recordings of Mompou’s compositions.

Described as “music of an ultimate inwardness and confidentiality”, Mompou’s pieces are minimalist enough to make any fan of Satie or Chopin swoon. Though born in the 19th century, Mompou lived long enough to record and release his compositions. Indeed, you can listen to about 5 hours of Mompou playing his Complete Piano Works on Spotify.

Needless to say, Volodos Plays Mompou is a more easily digested set. At 24 short tracks, much of the album is divided into two different books: “Scènes d’enfants” which is happy, even playful at times, and “Musica callada” (“Silent music”). In-between, appropriately, lovely pieces like “Hoy la tierra y los cielos me sonríen” (“Today the earth and the heavens smile at me”) split the difference. The “Musica callada” suite, “considered by some to be Mompou’s masterpiece”, is the highlight. Turn up your volume and enjoy – there are particularly breathtaking moments (“Lento molto”, “Calme”).

Much has been made of Catalan architecture and indeed a visit to Barcelona isn’t complete without viewing the work of Antoni Gaudí. The Catalan vault (like the vaulted ceiling on the album cover), according to one case study, is made thusly: “Traditionally thin bricks – or thin tiles – are used because of their lightness, which is a necessary condition to build the first layer ‘in space’ (without a continuous formwork)… as the self-weight of thin-tile vaults is low in comparison to other masonry structures, the falsework does not have to support high stresses.” Concluding, Catalan vaulting provides “large, suggestive, habitable and safe free-form vaulted spaces with an inexpensive, efficient and sustainable technique”. It is fitting, then, that the Catalan Mompou’s music finds power in lightness. Like the vault, Volodos Plays Mompou creates a space that is supportive, suggestive, and airy all the same.

Listen to Volodos Plays Mompou on Spotify.

Weekly Mix: 1/10/21

What day is it? What year is it? What’s happening? Oh… it’s Sunday. Right. Okay, here we go:

Ever heard of Day 26? Me neither, but their song Co Star is really good. So is Don’t You Worry by Freestyle Fellowship’s Myka 9. And rest in peace to John Prine man, I recently heard Hello in There and loved it, so it’s on here. I put a Chris Bell song earlier in the playlist but today I’m including This Mortal Coil’s version of You and Your Sister. After that, Italian synth dudes Sensations’ Fix with Acudreaming, from a great RVNG compilation of their material. Then, one of my favorite (and one of the most ominous) songs by the great Shangri-Las, Past, Present and Future. Sic Alps (whatever happened to them?) are next with Wake Up, It’s Over II. Following this, everyone’s favorite Grateful Dead with Mountains of the Moon from Aoxomoxoa. Then, Marvin Gaye’s She Needs Me and Phoebe Snow’s All Over conclude this week’s additions.

We’ve hit 250 songs this week! Celebrate with me by listening here.