When it comes to albums that have that hazy, late-night feeling, it doesn’t get a whole lot better than this. It’s one of those 70s records, like Das Hohelied Salomos, where you can practically hear the weed smoke coming through your speakers. Look at Nelson on the cover – dude is walking on clouds!
The two Brazilian singers were around 22-23 years old when they recorded this album. Angelo, who was part of the Clube de Esquina movement, worked closely with legendary artists Naná Vasconcelos and Lô Borges. Joyce Moreno is a singer and guitarist who would go on to work with Vinicius De Moraes. My understanding of Portugese is about nil, but the opener “Um Gosto de Fruta” translates to “A Taste of Fruit”, and it’s appropriately refreshing.
Angelo is mostly at the reigns here in terms of songwriting and performance. Joyce doesn’t take the lead until “Linda”, which is short and sweet, and then standout “Comunhão” delights in its melodious chorus of na-na-nas. “Ponte Nova” reaches a transcendent jam in its final 20 seconds, only to fade out. Joyce also takes the lead on “Meus Vinte Anos”, which she wrote, and has a blissful harpsichord backing.
Nelson Angelo e Joyce is indispensable. My only possible qualm would be that the record and its songs are so short, it’s hard not to want more. Well then, time to find more Nelson Angelo/Joyce albums…
Listen to Nelson Angelo e Joyce here.